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'''Close reading of metaphor in poetry''' examines how a comparison works within the words, sequence, sound and form of a particular poem. It asks what the image makes available to thought and how the surrounding text supports, complicates or changes that invitation.

The readings below are illustrative interpretations of William Blake's poems in the public domain text of ''Songs of Innocence and of Experience''. They demonstrate a method rather than claiming that one interpretation exhausts either poem.<ref name="blake">William Blake, [https://www.gutenberg.org/files/1934/1934-h/1934-h.htm ''Songs of Innocence and of Experience''], Project Gutenberg ebook 1934, “A Poison Tree” and “The Sick Rose”. This is a text edition; it does not reproduce the full experience of Blake's illuminated pages.</ref>

== Begin with the wording ==
A useful analysis identifies what is described, which words introduce another domain, and how that language develops. It should preserve the difference between the poem's speaker and its author. A first person statement can be part of a dramatic presentation rather than an autobiographical confession.

Paraphrase can clarify an initial reading, but it should not replace the poem. If an interpretation cannot explain why a particular word, turn or ending matters, it may be too general to account for the text.

== “A Poison Tree”: anger as cultivation ==
Blake begins by contrasting anger spoken to a friend with anger withheld from a foe. The second anger grows. Subsequent watering, sunning, fruit and garden imagery develops an emotional relation through cultivation.<ref name="blake" />

This is more specific than saying simply that anger increases. The speaker participates in tending it. Tears and smiles occupy different positions within the cultivated scene, and deceit becomes part of the process. The bright apple then gives the hostility an attractive, apparently desirable form.

{| class="wikitable"
! Textual feature !! Illustrative interpretive question
|-
| Contrast between friend and foe || How does the relationship affect whether anger is spoken?
|-
| Repeated acts of cultivation || Is growth presented as passive or actively sustained?
|-
| Attractive fruit || How are appearance and consequence related?
|-
| The speaker's response at the end || What does the ending reveal about the voice telling the story?
|}

The final sight of the foe beneath the tree and the speaker's gladness complicate a simple lesson about expressing feelings. The poem also presents the speaker's investment in the outcome. A reading can therefore examine hostility, concealment and self presentation together.

These are claims about the poem's construction. They are not a clinical explanation of what unexpressed anger always does to real people.

== “The Sick Rose”: compression and uncertainty ==
“The Sick Rose” presents a rose, an invisible worm, nocturnal movement and a destructive secret love. The language permits readers to explore relationships among beauty, concealment, desire and harm.<ref name="blake" /> It does not supply a simple explanatory key assigning each object exactly one meaning.

One reading can foreground an invasive relationship; another can attend to secrecy and the way the poem addresses the rose. A strong account should show how its interpretation handles the whole poem, including the worm's invisibility and the emotional language, rather than relying only on an association with roses.

The uncertainty is part of the interpretive problem. Listing many possible meanings without evaluating them is no more satisfactory than declaring one symbol definition unquestionably correct.

== Extended and compressed metaphor ==
The two poems offer a useful contrast. “A Poison Tree” develops a process across successive actions. “The Sick Rose” concentrates relationships into a short encounter. A reading procedure should adapt to that difference instead of expecting every poem to unfold a complete source to target map.

[[Interaction Theories of Metaphor]] helps explain how the terms in a comparison can reshape the reader's understanding of each other. [[Metaphor, Context and Speaker Meaning]] adds attention to voice and situation.

== Sound, form and editions ==
Repeated words, parallel syntax and the placement of a turn can contribute to an image's force. A reader should explain the connection rather than attaching a general claim that rhythm “enhances meaning”. Where a rhyme or repetition matters, identify what it brings into relation.

Edition also matters. A plain text transcription supports analysis of wording but may omit illustration, colour and page design. For Blake in particular, an argument about the complete visual work would require consulting the relevant illuminated copy. [[Visual and Multimodal Metaphor]] describes how that additional evidence could change the analysis.

== A reproducible close reading ==
Quote briefly and accurately, name the edition, distinguish observation from inference, and compare a plausible alternative interpretation. Use the ending to test an initial reading: does it confirm the opening assumption or require revision?

This approach makes literary interpretation discussable. Readers can disagree about significance while still identifying the words and relationships on which the disagreement turns.

== Related pages ==
* [[Metaphor in Literature and Creativity]]
* [[Numbers, Pattern and Symbolism in Literature]]
* [[Narrative and Interpretation]]
* [[Sensory Metaphor]]

== References ==
<references />

[[Category:Stories and literature]]

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 This is more specific than saying simply that anger increases. The speaker participates in tending it. Tears and smiles occupy different positions within the cultivated scene, and deceit becomes part of the process. The bright apple then gives the hostility an attractive, apparently desirable form.
 {| class="wikitable"
-! Textual feature !! Illustrative interpretive question
+! scope="col" | Textual feature !! scope="col" | Illustrative interpretive question
 |-
 | Contrast between friend and foe || How does the relationship affect whether anger is spoken?
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 | The speaker's response at the end || What does the ending reveal about the voice telling the story?
 |}
 The final sight of the foe beneath the tree and the speaker's gladness complicate a simple lesson about expressing feelings. The poem also presents the speaker's investment in the outcome. A reading can therefore examine hostility, concealment and self presentation together.

Metaphor in Poetry: Close Reading and Interpretation - Revision history

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